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27th April 2015
01:08pm BST

The Falling is in cinemas now.
The Genre
I like that you can’t put it in a specific class. I love genre films but with this one, I didn’t want to make it horror and I didn’t want to make it fully supernatural because for me, I never thought about what genre it was. I just thought about what a mass outbreak of psychogenic hysteria does. People will start to think there’s different reasons behind it. Someone might think it’s something in the food while someone else might think it’s a cult. I was more exploring how people would view it and the reaction to a hysterical outbreak, therefore it becomes all of those genres by default.
Taboo Subjects
I think I’m naturally drawn to the things I’m interested in and then I find out they’re taboo. I don’t go out of my way to look for things that are taboo but then I feel I’m entering territory which could be difficult in different ways, for example looking at a young girl’s sexuality. I never sat out to look at taboos but I think I am interested in shining a light on the darker side of life.
Carol Morley with Maisie Williams and Florence Pugh.
The Cast
Someone once said that a film is 80 per cent casting. If you don’t get the cast right, you can never catch up. You will never be able to make that person do something they’re incapable of doing. To find someone of 16, which Maisie Williams was at the time of filming, who was so skilful at bringing such a complex character as Lydia to life is a joy. At one point I thought we’d never find the right person and I’d never seen her in Game of Thrones, but the casting agent said you must see her. When she came in, I got her to tell me stories. If someone can tell you a story and captivate you, it’s a good sign. It’s always exciting to work with very talented people. I always think of actors as the front line. They’re the ones that, if it doesn’t work, it doesn’t matter how well produced it is, it doesn’t matter. It’s those performances that will draw the audience in. They were all great to work with.
The Soundtrack
All of the original songs in the film, the ones that already existed, were the ones I played when writing the script. I think I attributed a song to each character. That was one part and then when we cast the girls, I’d been asking them what instruments they play. As part of the rehearsal period, they would jam together. On set we also played the songs, that would end up in the film, to get the cast and crew in the mood. Music is very important for me in terms of connecting everyone and everything.

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